Ghost Town Poetry Open Mic Featuring John Burgess at Angst Gallery on May 9, 2019

Ghost Town Poetry Open Mic Flyer May 9 2019 cropped

Ghost Town Poetry Open Mic
Hosted by Christopher Luna and Toni Lumbrazo Luna of Printed Matter Vancouver
Featuring John Burgess

7 pm
Thursday, May 9, 2019
Open mic sign up begins at 6:30 and closes at 7
FREE

Angst Gallery
1015 Main Street
Vancouver, WA 98660
angstgallery.com

Food and libation provided by Niche Wine Bar, 1013 Main Street
Sound provided by Briz Loan & Guitar: http://briz.us/
LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

JB_60

John Burgess grew up in upstate New York, worked on a survey crew in Montana, taught English in Japan, and since 1985 has lived in Seattle, where he works for an insurance company. Past glories include: 2006 Jack Straw writer; co-founder of the original Burning Word Festival; 2008 Words’ Worth curator for the Seattle City Council; and past Board president at Hugo House, Seattle’s creative writing center. He’s a co-instigator with the Band of Poets. He has five books of poetry, some with maps and drawings, from Ravenna Press: Punk Poems (2005), A History of Guns in the Family (2008), Graffito (2011), “by Land…” (2015), and 1977 (2018).

1977 Cover

From 1977:

SPLEEN

I sing in praise of destitute dogs,
for days of melancholy rut
snouts bowed subservient
dissonance from the gut—

of strays, bile and vile
ion charged connected
for scent of beaten,
canine teeth retracted

a pack under attack—
ah, ill-humored howl

Visions & Voices/ Double Vision: Collaborative Exhibits Featuring Poems by Christopher Luna and Toni Lumbrazo Luna

We were out of town but have finally had a chance to see Christopher’s work in Voices & Visions, the art and poetry collaboration sponsored by the Vancouver Community Library.

Christopher sent “Allow Me My Unassailable Sincerity” to the program for an artists to render and received the image “Ocean,” to which he wrote a poem of the same title.

Visions & Voices- A Community Art Experience
Vancouver Community Library
901 C St
Vancouver, WA 98660

Contact Person: VA Art Team
Email Address: vaartteam@fvrl.org

The Vancouver Community Library is proud to present “Visions & Voices,” a creative art exchange where community members were invited to offer a visual art piece or a written piece. They were then anonymously paired to respond to each other’s work. The original visual art and written pieces are displayed alongside the response pieces, resulting in a truly unique, interdisciplinary exhibition of work.

An opening reception will be held on Friday, April 5 from 6 to 8 p.m. in the Columbia Room in the downtown library during the First Friday Art Walk. The exhibit will be on display in the Columbia Room through April 30, and may be viewed by the public whenever the room is not booked for private use.

Both Toni and Christopher participated in double Visions, a collaboration between Gallery One in Ellensburg and in Blue Sky Center for Photographic Arts in Portland which will be on display throughout April for National Poetry Month. The opening reception for this show also served as the opening for the annual Inland Poetry Prowl.

Double Vision: An Exhibition of Image & Word, featuring photographs curated by Zemie Barr from Portland’s Blue Sky Center for Photographic Arts, paired with poems from Inland Poetry poets. Gallery One, 408 N Pearl.

The following information about the show is taken from the Gallery One website:

Double Vision

April 5-27, 2019

curated by Zemie Barr, Blue Sky Gallery
in collaboration with Inland Poetry Prowl

Visual Artists: Susan Bein, Lucas DeShazer, Randi Ganulin, Laura Kurtenbach, Jennifer Zwick

Poets: Kristen Berger, Chris Buckley, Meredith Clark, Mary Crane, C.G. Dahlin, Lynne Ellis, Nancy Flynn, Sierra Golden, Christine Kendall, Larry Kerschner, Laura LeHew, Christopher Luna, Claudia Castro Luna, Tanya McDonald, Travis Naught, Melanie Noel, Toni Lumbrazo Luna, Kate Peterson, Rena Priest, Benjamin Schmitt, Carey Taylor, Armin Tolentino, Gyorgi Voros, Taylor Waring, Michael Welch

Opening Reception: April 5, 5-8pm

Exhibit Sponsors:
Dick & Jane’s Spot
CWU, Office of the Provost

Double Vision is a selection of photographs by five artists from Blue Sky’s 2018 Pacific Northwest Drawers, an annual juried exhibition featuring portfolios by over forty photographers from Alaska, British Columbia, Washington, Oregon, Idaho, and Montana. The work on view by these five selected artists brings aesthetic play to the forefront, yet as the title indicates, each artist is presenting two distinct visions–aesthetic,and conceptual–in their photographs that push and pull at each other to reveal more serious underlying themes that range from the personal to the universal, along with social commentary and astute reflections upon the unique mechanics of communicating through photography.

In her series Head Shots, Susan Bein embraces the fact that she is bald, and uses the dome of her head as a stage for her whimsical still lifes. Her playful, often humorous, compositions underscore the artist’s comfort within her own skin as she flaunts conventional expectations of what a woman’s body “should” look like. Laura Kurtenbach is also concerned with visual representations of women in her series, Femme Noir. To disrupt and draw attention to the objectification and and narratives of victimization in popular media, she places found images and objects in new photographed compositions. Although aesthetically playful, Kurtenbach’s use of light and shadow is reminiscent of the darker undertones found in vintage film noir. Randi Ganulin similarly reflects upon the power of mass media in Paired Disasters. Her compositions combine photographs of clippings from the Los Angeles Times with scenes from her everyday life. In this way, Ganulin highlights visual patterns that link the microcosm with the macrocosm, illustrating the intrinsic link between public and private life, yet the visual tension still present mirrors the perceived, albeit tenuous, separation between the individual and the collective.

This visual tension and disconnect is also evident in Lucas DeShazer’s photographs of murals that depict the settling of the American West. Many of these public artworks paint a celebratory picture of the past that leaves out the genocide of indigenous peoples and the devastation of natural resources and animal habitats that occurred in the process. DeShazer uses his camera to draw attention to this flattening of history, yet it is fascinating that he uses photography to do so, as the camera literally flattens our three-dimensional reality into two dimensions. Jennifer Zwick experiments with this characteristic of the medium in her images from the series An Exercise in Formal Composition. Using a slightly off-balance right triangle rendered in a variety of materials, she intervenes in otherwise straightforward compositions to expose the artist’s hand in the construction of a photograph.

When viewing photographs, we often suspend disbelief, immersing ourselves in the scene or narrative presented to us while ignoring the two-dimensionality of the photograph or the subjectivity of the person behind the camera. Zwick, as well as the four other artists featured in Double Vision, encourage this consideration of how their photographs are made and how materials and process inform meaning, allowing for engagement with their work on multiple levels.

Inland Poetry Prowl, now in its 4th year, is a weekend-long poetry event hosted by various venues within easy walking distance, in the heart of historic downtown Ellensburg, WA. Celebrating Sylvia Plath, this event offers featured guest readers, craft talks, open mics, live radio broadcast, book fair, and film screening. Gallery One will be a venue for the event on Saturday, April 6.