Ghost Town Poetry Open Mic on Zoom Featuring Eileen Davis Elliott April 8, 2021

Ghost Town Poetry Open Mic

Featuring Eileen Davis Elliott

Hosted by Christopher Luna and Morgan Paige

7 pm

Thursday, April 8

On Zoom

$5 Suggested donation

LGBTQ+ FRIENDLY, PRO-SCIENCE, ANTI-FASCIST,

ALL AGES, AND UNCENSORED SINCE 2004

Please support Niche Wine Bar, whose owner, Leah Jackson, has provided a home for the reading series since 2015: https://nichewinebar.com

Eileen Davis Elliott

Eileen Davis Elliott is a poet and visual artist from Vancouver, WA where she retired from a career in mental health. She has just released Pobrecitos, a collaborative work written by Eileen Davis Elliott and illustrated by Lily Engblom-Stryker and Ava Town, students from Vancouver School of Arts and Academics who shared and expanded the messages of the written work focusing on the marginalized from all over the world. Travelogue, poetry, documentation of the world we live in and the people we do not always notice. Pobrecitos (Spanish for “the poor ones”) is a love story to all we meet on our path. This is Elliott’s third book, available through Amazon, Bookbaby store, and her website, Eileendaviselliott.com. Earlier books include Prodigal Cowgirl, and Miles of Pies, part family narrative and part history of a way of Midwestern life. Both of these books are available through the author’s website.

She is working on two novels and another collection of poems, as well as an invitational anthology tentatively titled Unfinished Business. Elliott has also recently completed a series of “transformative collages,” wherein she uses earlier “failed” artwork to “paint through to resolution” self- questions which came up during the time of enforced isolation. She keeps a close eye on the hummingbird feeders as well.

NOTE: Due to circumstances beyond everyone’s control, this month’s reading will take place over Zoom. Email christopherjluna@gmail.com by no later than 3 pm on April 8 to indicate your interest in participating. In the subject line, let us know if you are “Reading” or “Just Listening.” You will receive instructions for how to join the meeting. Open mic readers are invited to share one poem for three minutes or less. 

If you are willing to donate to support the series, please use Christopher Luna’s PayPal account (christopherjluna@gmail.com) or contact him to make other arrangements. Include a memo stating that the money is for Ghost Town Poetry. The suggested donation is five dollars.

Visions & Voices/ Double Vision: Collaborative Exhibits Featuring Poems by Christopher Luna and Toni Lumbrazo Luna

We were out of town but have finally had a chance to see Christopher’s work in Voices & Visions, the art and poetry collaboration sponsored by the Vancouver Community Library.

Christopher sent “Allow Me My Unassailable Sincerity” to the program for an artists to render and received the image “Ocean,” to which he wrote a poem of the same title.

Visions & Voices- A Community Art Experience
Vancouver Community Library
901 C St
Vancouver, WA 98660

Contact Person: VA Art Team
Email Address: vaartteam@fvrl.org

The Vancouver Community Library is proud to present “Visions & Voices,” a creative art exchange where community members were invited to offer a visual art piece or a written piece. They were then anonymously paired to respond to each other’s work. The original visual art and written pieces are displayed alongside the response pieces, resulting in a truly unique, interdisciplinary exhibition of work.

An opening reception will be held on Friday, April 5 from 6 to 8 p.m. in the Columbia Room in the downtown library during the First Friday Art Walk. The exhibit will be on display in the Columbia Room through April 30, and may be viewed by the public whenever the room is not booked for private use.

Both Toni and Christopher participated in double Visions, a collaboration between Gallery One in Ellensburg and in Blue Sky Center for Photographic Arts in Portland which will be on display throughout April for National Poetry Month. The opening reception for this show also served as the opening for the annual Inland Poetry Prowl.

Double Vision: An Exhibition of Image & Word, featuring photographs curated by Zemie Barr from Portland’s Blue Sky Center for Photographic Arts, paired with poems from Inland Poetry poets. Gallery One, 408 N Pearl.

The following information about the show is taken from the Gallery One website:

Double Vision

April 5-27, 2019

curated by Zemie Barr, Blue Sky Gallery
in collaboration with Inland Poetry Prowl

Visual Artists: Susan Bein, Lucas DeShazer, Randi Ganulin, Laura Kurtenbach, Jennifer Zwick

Poets: Kristen Berger, Chris Buckley, Meredith Clark, Mary Crane, C.G. Dahlin, Lynne Ellis, Nancy Flynn, Sierra Golden, Christine Kendall, Larry Kerschner, Laura LeHew, Christopher Luna, Claudia Castro Luna, Tanya McDonald, Travis Naught, Melanie Noel, Toni Lumbrazo Luna, Kate Peterson, Rena Priest, Benjamin Schmitt, Carey Taylor, Armin Tolentino, Gyorgi Voros, Taylor Waring, Michael Welch

Opening Reception: April 5, 5-8pm

Exhibit Sponsors:
Dick & Jane’s Spot
CWU, Office of the Provost

Double Vision is a selection of photographs by five artists from Blue Sky’s 2018 Pacific Northwest Drawers, an annual juried exhibition featuring portfolios by over forty photographers from Alaska, British Columbia, Washington, Oregon, Idaho, and Montana. The work on view by these five selected artists brings aesthetic play to the forefront, yet as the title indicates, each artist is presenting two distinct visions–aesthetic,and conceptual–in their photographs that push and pull at each other to reveal more serious underlying themes that range from the personal to the universal, along with social commentary and astute reflections upon the unique mechanics of communicating through photography.

In her series Head Shots, Susan Bein embraces the fact that she is bald, and uses the dome of her head as a stage for her whimsical still lifes. Her playful, often humorous, compositions underscore the artist’s comfort within her own skin as she flaunts conventional expectations of what a woman’s body “should” look like. Laura Kurtenbach is also concerned with visual representations of women in her series, Femme Noir. To disrupt and draw attention to the objectification and and narratives of victimization in popular media, she places found images and objects in new photographed compositions. Although aesthetically playful, Kurtenbach’s use of light and shadow is reminiscent of the darker undertones found in vintage film noir. Randi Ganulin similarly reflects upon the power of mass media in Paired Disasters. Her compositions combine photographs of clippings from the Los Angeles Times with scenes from her everyday life. In this way, Ganulin highlights visual patterns that link the microcosm with the macrocosm, illustrating the intrinsic link between public and private life, yet the visual tension still present mirrors the perceived, albeit tenuous, separation between the individual and the collective.

This visual tension and disconnect is also evident in Lucas DeShazer’s photographs of murals that depict the settling of the American West. Many of these public artworks paint a celebratory picture of the past that leaves out the genocide of indigenous peoples and the devastation of natural resources and animal habitats that occurred in the process. DeShazer uses his camera to draw attention to this flattening of history, yet it is fascinating that he uses photography to do so, as the camera literally flattens our three-dimensional reality into two dimensions. Jennifer Zwick experiments with this characteristic of the medium in her images from the series An Exercise in Formal Composition. Using a slightly off-balance right triangle rendered in a variety of materials, she intervenes in otherwise straightforward compositions to expose the artist’s hand in the construction of a photograph.

When viewing photographs, we often suspend disbelief, immersing ourselves in the scene or narrative presented to us while ignoring the two-dimensionality of the photograph or the subjectivity of the person behind the camera. Zwick, as well as the four other artists featured in Double Vision, encourage this consideration of how their photographs are made and how materials and process inform meaning, allowing for engagement with their work on multiple levels.

Inland Poetry Prowl, now in its 4th year, is a weekend-long poetry event hosted by various venues within easy walking distance, in the heart of historic downtown Ellensburg, WA. Celebrating Sylvia Plath, this event offers featured guest readers, craft talks, open mics, live radio broadcast, book fair, and film screening. Gallery One will be a venue for the event on Saturday, April 6.