Ghost Town Poetry Open Mic Hosted by Christopher Luna and Toni Lumbrazo Luna of Printed Matter Vancouver Featuring Emmett Wheatfall
7 pm Thursday, June 13 Open mic sign up begins at 6:30 and closes at 7 FREE
Angst Gallery 1015 Main Street Vancouver, WA 98660 angstgallery.com
Food and libation provided by Niche Wine Bar, 1013 Main Street Sound provided by Briz Loan & Guitar: http://briz.us/ LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Emmett Wheatfall is a published poet, playwright and recording artist. Emmett is the author of six books of poetry and a play titled Under the Red Robin, and has released five poetry CDs. In May 2018 Fernwood Press (an imprint of Barclay Press) published Emmett’s sixth poetry collection entitled As Clean as a Bone. For more information, visit http://emmettwheatfall.com
Boxed-In
I saw a man with no teeth,
he smiled at me.
I bumped into a woman who had no feet,
she crawled to me.
I hugged a child with no arms; we
laughed until I cried.
A blind man called to me. Why
couldn’t I see where he was coming from?
A homeless man cursed at me,
afterward, he and I shared his beer.
A street-walker propositioned me, I
replied, thank you, but no thank you,
then named that street after her.
Some people are boxed-in. Life is like that
for some.
LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
A Georgia native who currently lives in Portland, OR, Nastashia Minto has performed at the Unchaste Readers Series, Neon Dream, Incite and various other reading series in the metro area. She has also appeared on KBOO Radio’s Talking Earth. Her writing has been published in SUSAN and in the forthcoming Unchaste Anthology Volume III. Nastashia’s first book, Naked, was published by Eldredge Books in February 2019.
Note: Nastashia and Eldredge Books will launch Naked with a reading at Another Read Through (3932 N Mississippi Ave. Portland, OR 97227) on February 28.
Ask Me …
Ask me of the mistakes I’ve made, and let me pull back the layers to my truth. Many false narratives, but I’m the original carbon proof. DNA soaked in cocaine and booze — don’t know how my genes survived, but ask me of the mistakes I’ve made. I still hold her truths, although she tells many lies. I cry, we cry, she cried, but she said we were all a mistake. Maybe after one, but after three, take responsibility for their place, your place, our place in this world. Forgiveness seems to fall off trees like leaves in the fall, but even in some regions the leaves will stay on the trees, so I guess forgiveness will never fall. Ask me of the mistakes I’ve made. I’ll be the first in line, raised hands to account for all the shit I’ve put you through. Ask me of the mistakes I’ve made. You preached forgiveness but forgot I came from you
Ghost Town Poetry Open Mic Hosted by Christopher Luna and Toni Lumbrazo Luna of Printed Matter Vancouver Featuring Tim Whitsel
7 pm Thursday, January 10, 2019 Open mic sign up begins at 6:30 and closes at 7 FREE
Angst Gallery 1015 Main Street Vancouver, WA 98660 angstgallery.com
Food and libation provided by Niche Wine Bar, 1013 Main Street Sound provided by Briz Loan & Guitar: http://briz.us/ LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Tim Whitsel believes in the power of dogwood blossoms. He may have migrated west on a solitary bicycle at the age of nineteen. He remembers the cheekbones of the first girl he kissed. He studied with David Waggoner, James Welch and Stanley Plumly at the University of Washington. For six years he curated the Windfall Reading Series at the Eugene Public Library. His poem “Mudflat Allure” won first prize at the 2013 Northwest Poets’ Concord. We Say Ourselves appeared in 2012 from Traprock Books and Airlie Press published his full-length collection Wish Meal in 2016.
GRIMACE
A cabin on a snowy river made
lonelier by threadbare conifers.
French doors, three glass teeth
facing the direction of the storm.
Everyone is away for the day.
Cinching their ballcaps snug
for a comfort they don’t feel.
Blowing on their hands one at a
time so their placards don’t fall.
Follow the Money, Hear ME
unwilling to be fenced like cattle
or fly south like trumpeter swans.
Tim Whitsel
May 10, 2018
Ghost Town Poetry Open Mic Hosted by Christopher Luna and Toni Lumbrazo Luna of Printed Matter Vancouver Featuring VoiceCatcher poets Claudia F. Savage and Deborah Brink Wöhrmann
7 pm Thursday, January 10, 2019 Open mic sign up begins at 6:30 and closes at 7 FREE
Food and libation provided by Niche Wine Bar, 1013 Main Street Sound provided by Briz Loan & Guitar LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Claudia F. Saleeby Savage is part of the performance duo Thick in the Throat, Honey and co-runs a parent-artist podcast of the same name. Her most recent book of poetry is Bruising Continents. Other recent work appears in BOMB, Denver Quarterly, Columbia, Nimrod, Water-Stone Review, and Anomaly (the interview series “Witness the Hour: Arab American Poets Across the Diaspora”). She is a 2018-2021 Black Earth Institute Fellow, a progressive think tank. Her collaboration, reductions, about motherhood and ephemerality with visual artist Jacklyn Brickman, is forthcoming in 2020. She teaches privately and as a Writer in the Schools and lives with her husband and daughter in Portland.
My Daughter Discovers Synchronicity
Claudia F. Saleeby Savage
If you cannot keep that smell of rosemary on your palms, tea warm in your
morning mug, or stop your daughter’s howl when the soup bowl tips, swallow
this sorrow and spit out birds. My daughter gulps air to better voice her throat’s
vibration. Her belly’s taut drum. The contours of my face mountain under
her gaze. Outside a woodpecker searches for rot in a telephone pole. Her
fingers enter the belly button. A world tucked in worlds tucked in worlds.
In mine there are borders of guns. Refusals. A veil could mean your children
starve…
Deborah Brink Wöhrmann marvels at the body’s way of responding to thought and word and the mind’s way of speaking what the body feels and says. After years of teaching writing and such, she now weaves bodywork, nutritional studies and small-group creative workshops into her North Portland life. She loves to wander in the woods and along beaches, to garden, cook and to explore.
Excerpt from “Sunset” for M.E.W.
You taught me the art
of opening windows
at just the right hour
closing them again
before heat
swept in.
Ghost Town Poetry Open Mic Featuring A Book Launch for Christopher Luna’s first full-length volume of poetry Message from the Vessel in a Dream (Flowstone Press)
Note: Due to the venue’s concerns about limited seating, the evening will be split into two sessions. Christopher will deliver two readings–at approximately 8pm and 9:30pm. To accommodate as many people as possible, he will also be available to sign copies of the book from 5-6pm. There will be eight open mic slots open for each half of the event, for a total of 16 open mic readers.
The book launch and open mic reading will be hosted by Printed Matter Vancouver co-founder Toni Lumbrazo Luna and Printed Matter Vancouver author Tiffany Burba (Meet Me Where I left You, 2016)
7 pm & 8:45 pm Thursday, December 13, 2018 Open mic sign up begins at 6:30 and closes at 7 FREE
Angst Gallery 1015 Main Street Vancouver, WA 98660 angstgallery.com
Food and libation provided by Niche Wine Bar, 1013 Main Street Sound provided by Briz Loan & Guitar: http://briz.us/ LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Join us for the Portland Book Launch at Like Nobody’s Business on February 23.
Collage Art by Christopher Luna for Message from the Vessel in a Dream
Flowstone Press announces the release of Message from the Vessel in a Dream by Christopher Luna, Clark County, WA’s first poet laureate and the founder of Ghost Town Poetry Open Mic. Luna’s first full-length volume of poetry spans 20 years, and favors prose poetry and collage poems assembled and arranged using found materials. The book is dedicated to Carlos Santana, the guitar virtuoso and eponymous “vessel” who gifted Luna with the only line of poetry he has ever received from a dream.
How many Christopher Lunas are there? The bard, the community dynamo, the scholar, the compassionate one, the jazz quartet, the father & lover, the world of a man: all and more are speaking in this book. So many perspectives to experience here, so much to learn about literature, attitude, action and beauty. The maestro of Ghost Town has created a bustling, radiant and necessary environment. — Dan Raphael
Christopher Luna served as Clark County, WA’s first Poet Laureate from 2013-2017. He has an MFA from the Jack Kerouac School of Disembodied Poetics, and is the co-founder, with Toni Lumbrazo Luna, of Printed Matter Vancouver, an editing service and small press for Northwest writers. He and Lumbrazo Luna co-host Ghost Town Poetry Open Mic, the popular Vancouver, WA reading series he founded in 2004. Luna’s books include Brutal Glints of Moonlight, GHOST TOWN, USA and The Flame Is Ours: The Letters of Stan Brakhage and Michael McClure 1961-1978.
Collage Art by Christopher Luna for Message from the Vessel in a Dream
Christopher Luna would like to thank all the people, living or dead, whose words provided material for the poems in this book. He would especially like to thank the poets and friends whose words (before, during, and after reading their work at the mic) offered such inspiration: Lynn Alexander, Jane Arnal, Elizabeth Austen, Brittany Baldwin, Roxanne Bash, Kristin Berger, Alex Birkett, Holly Black, Sari Breznau, Tiffany Burba, Barbara Lynn Cantone, J’Lyn Chapman, Sage Cohen, Darlene Costello, Walt Curtis, Leah Noble Davidson, Rene Denfeld, Natalie Diaz, Liz Donley, Josh Ehrdal, Matt Eiford, Terri Eliof, Eileen Elliott, Barbara Engel, Annette Ernst, Kathleen Flenniken, Michelle Fredette, Mike G (Michael Guimond), Rhonda Grace, Samuel Green, Jack Greene, Michelle Giuliano, Dean Haspiel, Miles Hewitt, Morgan Hutchinson, Vishal Khanna, Kevin Killian, Sabra Patricia Larsen, Rosemary Leary, Edee Lemonier, Robin Coste Lewis, Lori Loranger, Angelo Luna, Ben Scott Luna, Cathleen Luna, Dan Luna, Greg Luna, Jae Luna, Toni Lumbrazo Luna, Tod Marshall, Doug Marx, Alec Matthews, Dennis McBride, Marianela Medrano, Matt Meighan, David Meltzer (RIP), Kristopher Molina, Livia Montana, Judith Montgomery, Gwendolyn Morgan, Dan Nelson, Gwen Osborne, Aaron Pacora, Eric Padget, Jenney Pauer, David James Randolph, Dan Raphael, Yugen Rashad, Karen Read, Shelby Reece, Donna Roberge, Katharine Salzmann, Darcy Scholts, Laura Sciortino, Daniel Skach-Mills, Michael Smoler, Shawn Sorensen, Rob Sparks, Bill Sterr, John Stevens, Herb Stokes, Gary F. Suda, Grace Valentine, RicVrana (RIP), Julene Tripp Weaver, Paul Yates, and Lidia Yuknavitch.
Sample Poems
message from the vessel in a dream
completely still
seemingly emotion-
less yet blowing
notes to charm
succeeding ages
it matters little
whether one studies
flow or counterpoint
so long as eventually
the instrument is raised to the lips
you make your appearance
known through some creator
neither Duke nor Trane
ever revealed the source
a wisdom too precious
to put a name to
something not unlike the sound of the heart
beating in the chest of your firstborn
listen to the wind
as interpreted
remember how his hips’
involuntary Poughkeepsie shimmy
show’d you how it was done
never forget promises made
in the quiet of the early morning
priorities set straight
a brick wall stared down till dawn
experience cool breeze adrenaline release
and never forget you learned to listen
don’t forget to breathe
Channel Z (circa 1989)
suddenly static in my own time in your own time beware a tear can appear a rip a slash through the static in a moment and suddenly too suddenly you are not wherever you are but then again and there may be no reason why but there you are in the lavender shorts the garment that stuck around not wanting to miss a moment of this crisis this chaos this crisis of faith this fundamental fissure in the unseen scripture you rarely regarded as worth your time that time static that age static in my attic laughs in a darkened kitchen and you did not then and you do not now believe do not believe do not believe in anything but love
Intend to Attend
A beautiful chaos, this life. A world of pure potential. Tomorrow the discomfort index will be quite high. The weight of too many goddamn outbursts strung around my neck like an albatross. Ghost glimpsed at the periphery. Undefined blur caught by insufficient retina. Fractals behind the eyes. The moment’s gonna get you. Nurture it like a serpent to your breast. Like a neutron caterwaul. Moments away from a fatality. Skeleton falling apart. Filled with the seeds of all the troubles and blessings of existence, but also provided with the sustaining virtue, hope. Intend to attend. Herb Stokes.
A beautiful chaos, this life. Vishal Khanna.
A world of pure potential. Translated dialogue from the film Poetry, directed by Chang-dong Lee.
The weight of too many goddamn outbursts strung around my neck like an albatross. Leah Noble Davidson.
Fractals behind his eyes. Doug Marx.
The moment’s gonna get you. Wayne Shorter.
Like a neutron caterwaul. Katharine Salzmann.
Moments away from a fatality. Jae Luna.
His skeleton was falling apart. Daniel Skach-Mills.
Filled with the seeds of all the troubles and blessings of existence, but also provided with the sustaining virtue, hope. Joseph Campbell, The Hero with a Thousand Faces, p. 23.
This is a deeply personal business, and it demands respect Bruce Springsteen
This Professor Lorenz is a hypnotist as well as a horticulturalist. It’s a geography of the spirit for him. Writing this thing on communicating with the divine spirits. A million birds came to [the] window. . . Felt he was on the same beam, man, tuned in the same. Millions of birds, man. What they really pay you for is to be as present and alive as you can be. We create the illusion of stasis. You’ve got to destroy that mattress. It has to be rebirth on a nightly basis.
This Professor Lorenz is a hypnotist as well as a horticulturalist. Dialogue from The Corpse Vanishes, 1942.
It’s a geography of the spirit for him. Shelby Reece.
Writing this thing….millions of birds, man. Charles Mingus.
We create the illusion of stasis. Narration spoken by spoken Jake (David Mazouz), the brilliant troubled child in the 2012-2013 TV program Touch.
You’ve got to destroy that mattress. Dialogue spoken by Kirsty Cotton, the female protagonist played by Ashley Laurence in the 1988 horror film Hellbound: Hellraiser II.
LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
LA poet Geneva Chao
Genève/Geneva Chao is the author of three books of poetry and several translations. Chao lives in Los Angeles. Her books include one of us is wave one of us is shore (French/English), Hillary Is Dreaming (English), and émigré (English/French/guernesiais/pidgin).
Hoku
with winds
comme des
through channels
fourmis on
sifting sand
grimpe les uns
into glass, every
sur les autres
chamber packed
se hissent
tight with bodies
jusqu’aux toits
in boxes in alleys
afin de voir
finally to climb
enfin la lueur
to see stars
des étoiles
LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Reggie Marra is the author of four books of poetry and four of nonfiction, including And Now, Still: Grave & Goofy Poems and Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed. He has conducted poetry-writing and adult development and healing workshops since 1997, including work with the NEA’s Poetry Out Loud program, the National Association for Poetry Therapy, the Connecticut Higher Order Thinking (HOT) Schools program, the Transformative Language Arts Network, Teleosis Institute, the Arts Alliance of Northern New Hampshire, HealingNewtown, the National Speakers Association and in schools throughout the northeastern United States. Reggie is an Integral Master Coach,™ a Voice Dialogue practitioner through Bridgit Dengel Gaspard, and Nature Based Soulcraft® practitioner, through Bill Plotkin and Animas Valley Institute. Prior to 1997 he spent 21 years as a teacher, basketball coach and administrator in secondary and higher education. Learn more at www.reggiemarra.com.
EARLY AUTUMN SOUTHWEST EVENING
The music stops.
The young women holding hands,
their tank tops, shorts, boots, long
flowing brown hair, and the young
man in a black tee, blue jeans and
boots to their right, capture a neon-
backlit American summer evening.
They run, semi-crouched, amid
food and beverage containers
strewn across the open space while
those behind them kneel, crawl,
crouch and cower along the fence,
unsure where the shooter is and
when the shooting will stop.
If ever.
From Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed.
Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed is Reggie Marra’s fourth book of poems. As with his This Open Eye: Seeing What We Do(2006), Marra unflinchingly sees, writes and shares with the reader verbal snapshots of his country’s late 20th- and early 21st-century culture of violence as it manifests at home and abroad. His poems both grieve slaughtered school children, unarmed black men, ambushed law enforcement officers, church-, concert- and movie-goers, military veterans and victims of American foreign policy violence in the Middle East, and indict the leaders who refuse to act amid, or implicitly condone, the ongoing slaughter.
Approximately 546 copies of this book will be sent to the September 2018 occupants of the United States Senate, House of Representatives, Supreme Court and White House. We’ll be raising money to do that: https://www. gofundme.com/poems-for- politicians-in-dc
Narrative Healing: Transcending the Illness Narrative Workshop with Reggie Marra
6:30 – 9:00pm
Friday, September 14
Angst Gallery
1015 Main Street
Vancouver, WA 98660
Cost: $35
RSVP to christopherjluna@gmail.com by Thursday, September 13
Narrative Healing: Transcending the Illness Narrative
“It is true that the mind is restless and difficult to control, but it can be conquered… through regular practice and detachment” (6.35) – The Bhagavad Gita, c. 500-200 BCE.
The power of story to heal was understood 2,000 years ago. We now have over 30 years of research that confirms this philosophical, intuitive understanding. This workshop will engage you in your own narrative healing process, introduce the salient history, philosophy and research, and prepare you to write and revise your story from a salutogenic, rather than pathogenic, perspective. Deepen your abilities to embrace your own healing and nurture that of your clients, patients, students or loved ones. Find out: do you have your story – or does your story have you?
Whether you are navigating your own personal healing, coming to terms with the ongoing cultural and societal healing that is necessary to address American violence at home and abroad, or the larger global issues of pain and suffering, story matters. Your narrative impacts what you see, how you see and what you can do next. Join us on ….. for an experiential introduction to narrative healing.
