
I was saddened to learn that my friend Olinka Broadfoot has passed away. Olinka was a brilliant, witty, talented person with many stories to tell about her life as an artist and her home in the Czech Republic. I feel fortunate to have known her.
I first met Olinka through my friend Jason Mashak, one of the first Portland poets I met when I moved to the Pacific Northwest from Queens, NY in 2001. Olinka is a world-class artist who had returned from Prague, where she traveled once a year or so to teach sculpture. While much of the work she did was abstract, Olinka posted on Facebook that she was ready to do some portraits. I had never sat for a sculptor before and thought that it might be fun.
It was fun, and it was also an incredible experience that deepened my respect for Olinka and for all sculptors. I could not always watch her work, but when I could, I was blown away watching the clay transform into a bust of my head ans shoulders. I am a talker, a verbal processor who talks almost constantly. Olinka did chat with me a bit, but there were also times where she made it clear that she needed silence in order to concentrate.
I clearly remember the moment when she took a darker rectangle slab of clay and dropped it on top of the head of the bust to begin forming the hat I found in Berkeley, CA and had worn every day for years, almost until it fell apart. She requested that I leave the hat with her so that she could get it just right. She also asked for an old pair of my glasses which she attached to the face of the portrait.
I was not prepared for what an honor it was to be represented in this way. I remain in awe of how she was abler to capture not only my likeness but my spirit in this work. Later I was honored further when an anonymous donor purchased the work in order to gift it to me.
In April 2013 Toni and I curated a show at Angst Gallery called the Marriage of Poetic Words and Images. It featured art and poetry by many different members of the community including Greg Bee, Da Bat, Eileen Elliott, Jenney Pauer, Jim Martin, Erin Dengerink, Kelly Keigwin, and Michael Smith.
The show also featured two pieces by Olinka: her bust of me and “sometimes the latticework of the veil,” inspired in part by my poem of the same name:
sometimes the latticework of the veil
is so perfectly constructed
that it has the appearance of reality
flesh and blood, rather than
a sorry excuse for truth
pastiche of fortune cookie wisdom
ad copy & lines from old movies
stand in for the darkness
which is not evil after all
but the residue of a broken heart
throbbing, sweating
flooding blood-soaked tears
in a melodramatic gush
not to be contained by the
gauzy barrier of our skin
eventually
all
is revealed
we
are
hopelessly
(beautifully)
human
after all



You can see more images from the show here.
In May 2013 the bust was moved next door to Niche Wine Bar, owned by Angst Gallery director Leah Jackson. Here are a couple of photos from the unveiling of the bust that took place at Niche.

