Ghost Town Poetry Open Mic Featuring Tim Whitsel at Angst Gallery February 14, 2019

ghost town poetry open mic flyer february 14 2019

Ghost Town Poetry Open Mic
Hosted by Christopher Luna and Toni Lumbrazo Luna of Printed Matter Vancouver
Featuring Tim Whitsel

7 pm
Thursday, January 10, 2019
Open mic sign up begins at 6:30 and closes at 7
FREE

Angst Gallery
1015 Main Street
Vancouver, WA 98660
angstgallery.com

Food and libation provided by Niche Wine Bar, 1013 Main Street
Sound provided by Briz Loan & Guitar: http://briz.us/
LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

img_3191

Tim Whitsel believes in the power of dogwood blossoms. He may have migrated west on a solitary bicycle at the age of nineteen. He remembers the cheekbones of the first girl he kissed. He studied with David Waggoner, James Welch and Stanley Plumly at the University of Washington. For six years he curated the Windfall Reading Series at the Eugene Public Library. His poem “Mudflat Allure” won first prize at the 2013 Northwest Poets’ Concord. We Say Ourselves appeared in 2012 from Traprock Books and Airlie Press published his full-length collection Wish Meal in 2016.

GRIMACE

A cabin on a snowy river made
lonelier by threadbare conifers.

French doors, three glass teeth
facing the direction of the storm.
Everyone is away for the day.

Cinching their ballcaps snug
for a comfort they don’t feel.

Blowing on their hands one at a
time so their placards don’t fall.
Follow the Money, Hear ME

unwilling to be fenced like cattle
or fly south like trumpeter swans.
Tim Whitsel
May 10, 2018

Ghost Town Poetry Open Mic Featuring Reggie Marra September 13 / Narrative Healing Workshop September 14

Ghost Town Poetry Open Mic flyer September 13 2018 cropped

Ghost Town Poetry Open Mic

Hosted by Christopher Luna and Toni Partington of Printed Matter Vancouver

Featuring Reggie Marra, Connecticut Poet and author of Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed

7 pm

Thursday, September 13

Open mic sign up begins at 6:30 and closes at 7

FREE

Angst Gallery

1015 Main Street

Vancouver, WA 98660

Food and libation provided by Niche Wine Bar, 1013 Main Street

Sound provided by Briz Loan & Guitar

LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

head shot

Reggie Marra is the author of four books of poetry and four of nonfiction, including And Now, Still: Grave & Goofy Poems and Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed. He has conducted poetry-writing and adult development and healing workshops since 1997, including work with the NEA’s Poetry Out Loud program, the National Association for Poetry Therapy, the Connecticut Higher Order Thinking (HOT) Schools program, the Transformative Language Arts Network, Teleosis Institute, the Arts Alliance of Northern New Hampshire, HealingNewtown, the National Speakers Association and in schools throughout the northeastern United States. Reggie is an Integral Master Coach,™ a Voice Dialogue practitioner through Bridgit Dengel Gaspard, and Nature Based Soulcraft® practitioner, through Bill Plotkin and Animas Valley Institute. Prior to 1997 he spent 21 years as a teacher, basketball coach and administrator in secondary and higher education. Learn more at www.reggiemarra.com.

EARLY AUTUMN SOUTHWEST EVENING

The music stops.
The young women holding hands,
their tank tops, shorts, boots, long
flowing brown hair, and the young
man in a black tee, blue jeans and
boots to their right, capture a neon-
backlit American summer evening.
They run, semi-crouched, amid
food and beverage containers
strewn across the open space while
those behind them kneel, crawl,
crouch and cower along the fence,
unsure where the shooter is and
when the shooting will stop.
If ever.

From Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed.

Killing America Cover

Killing America: Our United States of Ignorance, Fear, Bigotry, Violence and Greed is Reggie Marra’s fourth book of poems. As with his This Open Eye: Seeing What We Do (2006), Marra unflinchingly sees, writes and shares with the reader verbal snapshots of his country’s late 20th- and early 21st-century culture of violence as it manifests at home and abroad. His poems both grieve slaughtered school children, unarmed black men, ambushed law enforcement officers, church-, concert- and movie-goers, military veterans and victims of American foreign policy violence in the Middle East, and indict the leaders who refuse to act amid, or implicitly condone, the ongoing slaughter.

ISBN: 978-0-9627828-8-6

135 pages | 6×9 paper

Cover Art: Whose Heaven? by Ray DiCapua Charcoal and ink on paper | 48” x 72” Copyright © 2003 by Ray DiCapua

Go to Amazon in September: https://www.amazon.com/Reggie-Marra/e/B00AECM6OM

Approximately 546 copies of this book will be sent to the September 2018 occupants of the United States Senate, House of Representatives, Supreme Court and White House. We’ll be raising money to do that: https://www. gofundme.com/poems-for- politicians-in-dc

Ongoing updates and poem excerpts at: https://killing-america.com/

Narrative Healing: Transcending the Illness Narrative Workshop with Reggie Marra

6:30 – 9:00pm

Friday, September 14

Angst Gallery

1015 Main Street

Vancouver, WA 98660

Cost: $35

RSVP to christopherjluna@gmail.com by Thursday, September 13

Narrative Healing: Transcending the Illness Narrative

“It is true that the mind is restless and difficult to control, but it can be conquered… through regular practice and detachment” (6.35)  – The Bhagavad Gita, c. 500-200 BCE.

The power of story to heal was understood 2,000 years ago. We now have over 30 years of research that confirms this philosophical, intuitive understanding. This workshop will engage you in your own narrative healing process, introduce the salient history, philosophy and research, and prepare you to write and revise your story from a salutogenic, rather than pathogenic, perspective. Deepen your abilities to embrace your own healing and nurture that of your clients, patients, students or loved ones. Find out: do you have your story – or does your story have you?

Whether you are navigating your own personal healing, coming to terms with the ongoing cultural and societal healing that is necessary to address American violence at home and abroad, or the larger global issues of pain and suffering, story matters. Your narrative impacts what you see, how you see and what you can do next. Join us on ….. for an experiential introduction to narrative healing.

Documenting Street Art: Photos by Christopher & Toni Luna and Angst Gallery Director Leah Jackson July 6-28, 2018

Caged Heart
Caged Heart (Venice, Italy) by Christopher & Toni Luna

Documenting Street Art
Photography by Christopher Luna, Toni Luna, and Leah Jackson July 6-28

Documenting Street Art July 6-28, 2018

First Friday Opening Reception: 5-9pm July 6

Show: July 6-28

Angst Gallery
1015 Main Street
Vancouver, WA 98660
angstgallery.com

Gallery Hours
Hours: Wed, Thur, Fri: 12-4
Saturday: by appointment
Accessible via Niche Wine Bar (1013 Main Street) after 4pm Tuesday through Saturday.

5 Pointz courtyard charm etc
Courtyard, 5 Pointz, Long Island City by Christopher & Toni Luna

Street Art is an ephemeral and often controversial form. This show collects photographs by Christopher Luna, Toni Luna, and Angst Gallery Director Leah Jackson of street art from around the world, including New York’s 5 Pointz, Argentina, Belgium, Costa Rica, France, the Netherlands, Puerto Rico, Spain, and Venice, Italy.

Here are two articles about 5 Pointz, an iconic building for street artists in Long Island City that was whitewashed by developer Jerry Wolkoff in the middle of the night in November 2013, instigating a multimillion dollar lawsuit by 21 of the artists whose work was destroyed:

https://untappedcities.com/2018/02/13/judge-rules-that-developer-must-pay-6-7m-to-5pointz-graffiti-artists/

https://www.villagevoice.com/2018/02/13/5pointz-verdict-a-mixed-blessing-for-graffiti-artists/

5 Pointz gals OTM
5 Pointz Girls, 5 Pointz, Long Island City by Christopher & Toni Luna

Angst Gallery showcases cultural events including art shows, musical performances, book launch parties, classes, workshops, and the monthly Ghost Town Poetry Open Mic. All art forms are valued. More than just a place to show art, Angst Gallery is also a safe space for community discussion, where all people are respected for who they are. We donate the use of the space to organizations that work for human rights and progressive social change such as Planned Parenthood, the YMCA/YWCA, Cascade AIDS Project, and the NAACP.

Ghost Town Poetry Open Mic Featuring Risa Denenberg at Angst Gallery July 12, 2018

Ghost Town Poetry Open Mic flyer July 12 2018 cropped

Ghost Town Poetry Open Mic

Featuring Risa Denenberg

Hosted by Christopher Luna and Toni Partington of Printed Matter Vancouver

7 pm

Thursday, July 12

Open mic sign up begins at 6:30 and closes at 7 sharp

Angst Gallery

1015 Main Street

Vancouver, WA 98660

Risa 38

Risa Denenberg lives on the Olympic peninsula in Washington state where she works as a nurse practitioner. She reviews poetry for the American Journal of Nursing and is a co-founder and editor at Headmistress Press, publisher of LBT poetry. She has published three chapbooks and three full length collections of poetry, including Whirlwind @ Lesbos (Headmistress Press, 2016) and  slight faith (MoonPath Press, 2018).

 

slightfiath-frontcov-withbleed

Abiding Winter 

by Risa Denenberg

How we made it through another winter’s

not the question. Nor is it an answer

since one of us was left behind in winter.

 

In Spring, in buoyancy, you asked a question.

Cups stood their ground between us, tea and coffee.

You wished to be the answer to your question.

 

Then winter comes again and yet another,

a darkling season full of melancholy. The yanking

of my soul back to the gutter, that other

 

place where questions have no answers,

and answers only placate. It takes rafters

of steadfast faith, or mettle, to seek answers.

 

Truth is brutal. So much we can’t recover,

years I’ve begged for you to wait for Spring to bloom

again, living in despair beside each other, and another

 

stormy season while we tussle for an answer

or a coda to the sum of all of life’s bother.

I’ve learned to hold my tongue, to question

nothing. Questions are another sort of winter.

 

Food and libation provided by Niche Wine Bar, 1013 Main Street

Sound provided by Briz Loan & Guitar

LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

Listen to a feature on Ghost Town Poetry Open Mic on OPB Radio’s State of Wonder

Ghost Town Poetry Open Mic Featuring Leah Stenson at Angst Gallery May 10, 2018

Ghost Town Poetry Open Mic May 10 2018 flyer

Ghost Town Poetry Open Mic

Featuring Leah Stenson

Hosted by Christopher Luna and Toni Partington of Printed Matter Vancouver

7 pm

Thursday, May 10

Open mic sign up begins at 6:30 and closes at 7 sharp

Angst Gallery

1015 Main Street

Vancouver, WA 98660

Food and libation provided by Niche Wine Bar, 1013 Main Street

Sound provided by Briz Loan & Guitar

LGBTQIA+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

Leah-Stenson-at-Stonehenge-Studios(1)
Leah Stenson at Stonehenge Studios

Leah Stenson is the author of two chapbooks, Heavenly Body and The Turquoise Bee and Other Love Poems, published by Finishing Line Press in 2011 and 2014, respectively; a regional editor of Alive at the Center: Contemporary Poems from the Pacific Northwest (Ooligan Press, 2013) and co-editor of Reverberations from Fukushima (Inkwater Press, 2014). Her full-length poetry book, Everywhere I Find Myself, was published by WordTech Communications’ Turning Point imprint in December of 2017. She serves on the board of Tavern Books.

stenson

Drawing from a deep well of autobiographical and cross-cultural experience, Everywhere I Find Myself is a wide-ranging narrative journey of the heart.

“Leah Stenson’s Everywhere I Find Myself traverses the full range of human experience–what she calls the ‘terrible exquisiteness of being’–from the nuclear disaster at Fukushima to a friendly encounter with a cow; from the distractions of our devices to moments of deep tranquility; from a grandfather’s suicide to a daughter’s gift of a pair of pillowcases made from fine Egyptian cotton. By turns witty, playful, and deadly serious, these poems give readers one woman’s unflinchingly honest take on life’s beautiful, painful vicissitudes.”—John Brehm, author of Help Is on the Way and Sea of Faith

“In this engaging and satisfying first full-length collection of poems, Leah Stenson explores the tensions between mystery and understanding, and between estrangement and belonging. The world of these poems–our world–is simultaneously expansive and confining, and Stenson travels through it seeking connection. ‘Home / wasn’t far away,’ she tells us, ‘but the road never ended’.”—Andrea Hollander, author of Landscape with Female Figure, Woman in the Painting, The Other Life, and House Without a Dreamer

“’Eternity can be heard in the stir of the breeze, in the vineyards, the whisper of prayer,’ the poet writes in Everywhere I Find Myself. The poems explore love, memory and deep loss with equal verve. With an artist’s sharp eye for detail and a philosophical world view Leah Stenson is a savvy traveler. Her wry wit, compassionate heart and spirit infuse this vivid, engaging collection.”—Marilyn Stablein, author of Climate of Extremes, Splitting Hard Ground, and Sleeping in Caves

Flying to Ohio

by Leah Stenson

After a soporific of red wine and potato chips,

I drifted off over the Great Plains at midnight,

the cabin darkened, my heart and the heartland lit.

 

Now the sky is reddening in the east, and

in the west lights are clumped like islands

glimmering through velum.

 

On that solo adventure four decades ago, knapsack

on my back, I wandered from the foot of the Acropolis

to Delphi and Santorini, channeling light.

 

Returning home a prodigal wanderer, I never stopped.

Sometimes at high altitudes, I still find shards

of former selves, a polished stone, a sun-bleached shell.

Listen to a feature on Ghost Town Poetry Open Mic on OPB Radio’s State of Wonder

Ghost Town Poetry Open Mic Featuring Peter Ludwin March 8, 2018

Ghost Town Poetry Open Mic flyer March 8 2018

Ghost Town Poetry Open Mic

Featuring Peter Ludwin

Hosted by Christopher Luna and Toni Partington of Printed Matter Vancouver

7 pm

Thursday, March 8

Open mic sign up begins at 6:30 and closes at 7

Angst Gallery

1015 Main Street

Vancouver, WA 98660

angstgallery.com

Food and libation provided by Niche Wine Bar, 1013 Main Street

Sound provided by Briz Loan & Guitar: http://briz.us/

LGBTQ+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

christopherjluna@gmail.com

Peter's Pictures 006

Peter Ludwin is the recipient of a Literary Fellowship from Artist Trust and the W.D. Snodgrass Award for Endeavor and Excellence in Poetry.  His first book, A Guest in All Your Houses, was published in 2009 by Word Walker Press.  His second collection is Rumors of Fallible Gods, a two-time finalist for the Gival Press Poetry Award that was published in 2013 by Presa Press.

His new book, Gone to Gold Mountain, was published in 2016 by MoonPath Press and subsequently nominated for a Washington State Book Award.  In May, 2017 the Before Columbus Foundation nominated it for an American Book Award.

A fourteen-year participant in Mexico’s San Miguel Poetry Week, where he has studied under such noted poets as Mark Doty, Tony Hoagland, Joseph Stroud and Robert Wrigley, Ludwin was the Second Prize winner of the 2007-2008 Anna Davidson Rosenberg Awards.  In 2010 Soundings Review named him its Reader’s Choice winner in the spring/summer issue.

Most recently, he was the 2016 First Prize winner of The Comstock Review’s Muriel Craft Bailey Memorial Award, the Second Place winner of the 2016 Paulann Petersen Poetry Award, and a finalist in poetry for both the 2016 Tucson Festival of Books Literary Awards and the Pangaea Poetry Prize.   A multiple Pushcart Prize nominee, he received nominations in 2016 from MoonPath Press and Connecticut River Review.

His work has appeared in many journals, including Atlanta Review, The Bitter Oleander, The Comstock Review, Crab Orchard Review, Nimrod, North American Review and Prairie Schooner, to name a few.  A world traveler who has journeyed by canoe to visit remote Indian families in the Amazon Basin of Ecuador, hiked in the Peruvian Andes, thumbed for rides in Greece, bargained for goods in the markets of Marrakech and Istanbul and survived debilitating illness in China and Tibet, he is also accomplished on acoustic guitar and autoharp.  He lives in Kent, Washington, where he works for the Parks Department.

 

 

 

Ghost Town Poetry Open Mic Featuring Poet/MC/Pianist Dane DeLloyd February 8, 2018

Ghost Town Poetry Open Mic flyer February 8 2018 cropped

Ghost Town Poetry Open Mic

Featuring Dane DeLloyd

Hosted by Christopher Luna and Toni Partington of Printed Matter Vancouver

Dane by Tiffany August 2017
Dane DeLloyd by Tiffany Burba

7 pm

Thursday, February 8

Open mic sign up begins at 6:30 and closes at 7

Angst Gallery

1015 Main Street

Vancouver, WA 98660

angstgallery.com

cover+page jpeg

Dane DeLloyd is an actor/poet/pianist/artist extraordinaire who has performed coast to coast in many different venue’s and formats. On the East Coast he has opened up for acts such as The Roots, The Pharcyde, Faith Evans, and the Last Poets. On the West Coast he has played every tall monster (i.e. Frankenstein, Shrek, Zombie, Ghostface Killer and others) at Universal Studios Hollywood four out of the last five years. He also custom designed T-shirts for several mazes at Hollywood Horror Nights in Los Angeles. Dane has self-published multiple chap books as well as two musical CD’s: 100% Organic Music and Serumade Adabeigio. 100% Organic Music includes over twenty years of original material. Serumade Adabeigio (literally translated as “the healing kiss”) is his debut classical/jazz solo piano recording. He has also promoted diversity in the community working with organizations such as the University of Pittsburgh and the Heinz Foundation. His works have been performed in the Andy Warhol Museum as well as the National Poetry Slam competition. His photography is currently on display at the Waddell & Reed building in downtown Vancouver, and in limited edition photography books such as N.Y.C. (2010).

Outside box engraving Logo #1

Serumade

by Dane DeLloyd

Number one. water tension:  the last drop to dissipate and splash

or encircle meniscus or slide down the side of a glass

aside doing dishes after grits and bacon

lovemaking that we choose not to mention.

 

Number two. Total stranger love: it was totally strange love,

only strangers could share the unfamiliarity of compartmentalized air

as out of the corner of side ways you stare

Not accidentally that you were looking at their love.

Looking at their love there. It’s like

 

Number three. Grits and bacon.

 

Number four.  Habitdashedbaby: she drew in close to cuddle

through inspiration she never knew

about the places she will grow

or how much she grew… has grown… is growing…

 

Number five: gelatinous (dispeller)

she didn’t understand daddy’s self-doubt that he had

left her the genes to stand out

and now we only cradle her until she goes forward

to educate the labelers

she’s not of mixed blood

only mixed love… loving her always… loving them always… just because.

 

Number six:  tomato blossoms: who transplanted buds immune

to the gloom.  They love the rain and gave yellow blossoms in turn that smelled fertility fuzzy fragrant and sweet fruit to turn into sauces.

 

Number seven: Burning bush: it started between the behemoth desert sanders and the sawdust encircling the wind to show gust and test your faith sho-nuff’ it’s the wilderness against your nature… you pushed until the words were given back the water tension from the burning bush

 

Number eight: already here: The road was winding up to the mountain tops,

the van was packed out so there  was no time to stop and see where the sludge stopped, and the clouds met the steep. I had love for the dregs where the industry seeps but now I live here with the rivers run deep.

 

Number nine: invisible tank : Two waterfalls folded in the pond the landscape the culture the knowledge the genre’ routed genes rooted in between the know-how of how unknown we are.

Items numbered of human SKU.  Skewn into too soon

being again residue

pledging on cue.   All that you have left… patience.

 

Number 10:  patience for Dane:  I felt the loss of innocence, a child punished for being beautiful and talented. Could I take those scars away for you

…only if I could…  now we both heal together and apart

we always took beach strolls when you couldn’t walk

and now we pick up phones and don’t have time to talk about Love.

And the way in the life we may have just missed.

Life could be gone quick in a wind gust, a heart lust or a trip.

But for now we are still kept apart left adrift…

 

Number 11:  adrift:  we wound up at the beach

but someone had already put circles in the sand,

we only had to follow the surf pounding

to re-create the sea level surge,

my son just met the ocean

stranger love

…beyond words.