Washington State Poet Laureate Tod Marshall to Visit Vancouver in May

Ghost Town Poetry Open Mic and a Free Workshop

Featuring Washington State Poet Laureate Tod Marshall

at Angst Gallery May 12

Ghost Town Flyer May 2016

 GHOST TOWN POETRY OPEN MIC

Hosted by Christopher Luna and Toni Lumbrazo Luna

Workshop with

Washington State Poet Laureate and

Clark County Poet Laureate Christopher Luna

3-5pm

Thursday, May 12

Workshop is limited to 28 people; pre-registration is recommended.

Pre-register by contacting Christopher Luna at christopherjluna@gmail.com

Open Mic

7 pm

Thursday, May 12

Both events located at

Angst Gallery

1015 Main Street

Vancouver, WA 98660

Food and libation provided by

Niche Wine Bar, 1013 Main Street

LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

angstgallery.com

 Marshall,Tod-6

Featuring Washington State Poet Laureate Tod Marshall

Tod Marshall was born in Buffalo, NY. He earned his PhD from the University of Kansas in 1996. His first collection of poetry, Dare Say, was the 2002 winner of the University of Georgia’s Contemporary Poetry Series. He has also published a collection of his interviews with contemporary poets, Range of the Possible (EWU Press, 2002), and an accompanying anthology of the interviewed poets’ work, Range of Voices (2005). These volumes include interviews with and poems by Robert Hass, Li-Young Lee, Robert Wrigley, Brenda Hillman, Dorianne Laux, Kim Addonizio, Ed Hirsch, Dave Smith, Yusef Komunyakaa, and others. In 2005, he was awarded a Washington Artists Trust Fellowship. His second collection, The Tangled Line (Canarium Books, 2009) was a finalist for the Washington State Book Award. Bugle (Canarium, 2014), was the winner of the 2015 Washington State Book Award. Marshall was also awarded the Humanities Washington Award in 2015 for creativity and service. He lives in Spokane, Washington, and teaches creative writing and literature at Gonzaga University where he is the Robert and Ann Powers Chair in the Humanities.

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Workshop Description

If You Ain’t No Place You Can’t Go Nowhere

My title is from Richard Hugo’s The Triggering Town. In his book, Hugo reminds poets of the importance of identifying the “where” of a poem and how rooting creativity to place can allow the imagination to grow in unexpected ways. In this workshop, we will explore ways to connect our imagination to the real and imagined landscapes of Washington.

There are many ways, of course, that we can think about “place.” Perhaps specific flora and fauna conjure up place for us (salmon and Arrowleaf Balsamroot, delicious huckleberries). Perhaps titles of towns or geological phenomena do the same (Anacortes, Mt. Rainier, and Twisp; The Columbia, The Palouse, and sharp columns of basalt, to name only a few). Perhaps people—individuals or groups—make a “where” vivid in our minds (Chief Seattle or Ken Griffey Junior, Kurt Cobain and Colonel George Wright, Gary Payton and Shawn Kemp or Bing Crosby and Cathy McMorris Rodgers).

Using a controlled range of diction, we will work from freewriting to drafting a poem that might reveal something about where we are and where we’ve been, and perhaps such knowledge will tell us a little bit about who we are, were, and might be.

 

Ghost Town Poetry Open Mic Featuring Steve Williams at Angst Gallery, February 11, 2016

Ghost Town Flyer February 2016

GHOST TOWN POETRY OPEN MIC
Hosted by Christopher Luna and Toni Lumbrazo Luna

7 pm
Thursday, February 11
Angst Gallery
1015 Main Street
Vancouver, WA 98660

Food and libation provided by
Niche Wine Bar, 1013 Main Street

LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
angstgallery.com

Featuring Steve Williams

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Steve Williams is the author of a new chapbook entitled Thirteen, a poem. He works in Portland, helping those who have barriers to employment find jobs. He lives with a lovely woman who writes and edits much better than he but refuses to admit it.

ThirteenFrontCover

Shades
by Steve Williams

One grandfather’s shadow is fresh tar
on the roof outside my window.
The other grandfather’s shadow –
a wind-up Indian with broken hands.

My grandmothers are whiskey radio baseball
and a garden full of curio cabinets and canning jars.

Corky, Blackie and Sam are dog shadows
warm under my blanket. My cat shadows
all ran away.

My father’s shadow is the Wichita Lineman
belted to every creosoted pole, spurs buried
in the wood listening to his own static.

My streetlight shadows are Spirographed
around my shoes, each a different shade
of black. These are my mother.

As the sun falls into drowned ash,
these shades fade into twilight.
This is where we all used to hide.

When my face rises in your bright hands,
I hold your kiss
long enough for each of them
to have their turn.

Ghost Town Poetry Open Mic Featuring Kristin Roedell at Angst Gallery November 12, 2015

Cover to Cover Flyer November 12 2015GHOST TOWN POETRY OPEN MIC
Hosted by Christopher Luna and Toni Partington

7pm
Thursday, November 12
Angst Gallery
1015 Main Street
Vancouver, WA 98660

Food and libation provided by Niche Wine Bar, 1013 Main Street

LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
angstgallery.com

With our featured reader, Kristin Roedell

Kristin RoedellKristin Roedell is a Northwest poet and retired attorney. Her work has appeared in over 50 journals and anthologies, including The Journal of the American Medical Association, Switched on Gutenberg, and CHEST. She is the author of Girls with Gardenias (Flutter Press) and Down River (Aldrich Press), a finalist for the Quercus Review Press poetry prize. She has twice been nominated for Best of the Web and once for the Pushcart Prize. She was the 2013 winner of NISA’s 11th Annual Brainstorm Poetry Contest and a finalist in the 2013 Crab Creek Review poetry contest.

Kristin Roedell in Poets & Writers

Ghost Town Poetry Open Mic at Angst Gallery Featuring Sarah Webb October 8, 2015

Ghost Town Poetry Flyer October 8 2015GHOST TOWN POETRY OPEN MIC
Hosted by Christopher Luna and Toni Partington

7pm
Thursday, October 8

Angst Gallery
1015 Main Street
Vancouver, WA 98660

Food and libation provided by Niche Wine Bar, 1013 Main Street

in the Vancouver Arts District

LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
christopherjluna@gmail.com
angstgallery.com

With our featured reader, Sarah Webb: A former Vancouverite, Sarah Webb now lives in the Texas Hill Country with her hound dog Rex, and reads frequently in Oklahoma and Texas. Her poetry collection Black (Virtual Artists Collective, 2013) was selected as a finalist for the 2014 Oklahoma Book Award and the 2014 Writers’ League of Texas Book Award. She served as Poetry Editor for the University of Science and Arts of Oklahoma’s interdisciplinary journal Crosstimbers for many years, and is presently a member of the editorial committee for All Roads Will Lead You Home and a co-editor of Just This, a magazine of the Zen arts.

black by sarah webbTwo poems by Sarah Webb:

The Altruism of Birds
By Sarah Webb

Ravens clamor the flock to a hidden feast
hark and hoot to show the way.
They share.
We’ll assume it’s for the usual reasons–
courting or potlatch
or the bullying strength of numbers.

Why are we surprised?
After all, people share
and often for no reason we can name.
Men share, and wolves share.
A raven may tip his wing to a hunter.
A badger may shelter a boy in his den.
A roadrunner adopted a man I knew.
The bird would bring him lizards
and grasshoppers,
lay them at his door as a cat might.

Once she brought the egg of a wren.

Once she came right up to the man
as he sat in the shade of his patio,
and she looked at him.

Her eye had that bird glint
that might mean anything–
pride in her prowess,
yearning for the touch of his beak
or delight in the glare of the sun
and the taste of snake
before it is given away.

Empty
By Sarah Webb

We start from the place that is empty.
Even in a mass of clay
there is that empty spot.

The thumb finds it
and follows its prompting,
presses out from it
and feels its yes
to widening.

From it bowls form
and rattles.

And in my chest
there is that empty spot
that widens with each breath
in a sweet yes.

I feel it press, press out,
but how to name what it forms?

Ghost Town Poetry Open Mic Featuring Washington State Poet Laureate Elizabeth Austen/ Free Poetry Workshop at Vancouver Community Library September 10, 2015

GHOST TOWN POETRY OPEN MIC
Hosted by Christopher Luna and Toni Partington

7pm
Thursday, September 10
Angst Gallery
1015 Main Street
Vancouver, WA 98660

Food and libation provided by Niche Wine and Art Bar, 1013 Main Street

LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
printedmattervancouver.com
angstgallery.com

With our featured reader, Washington State Poet Laureate Elizabeth Austen

Washington State Poet Laureate Elizabeth Austen Photo by John Ulman
Washington State Poet Laureate Elizabeth Austen Photo by John Ulman

Elizabeth Austen is the Washington State Poet Laureate for 2014-16. Her collection Every Dress a Decision (Blue Begonia Press, 2011) was a finalist for the Washington State Book Award. Her work is also available on the CD Skin Prayers and in two chapbooks. Elizabeth spent her teens and twenties working in the theatre and writing poems. A six-month solo walkabout in the Andes region of South America led her to focus exclusively on poetry. She earned an MFA in Poetry at Antioch University Los Angeles, and is the poetry commentator for NPR-affiliate KUOW 94.9. She makes her living at Seattle Children’s Hospital, where she also offers poetry and reflective writing workshops for the staff. For more information please visit http://wapoetlaureate.org/

Elizabeth Austen will also be teaching a generative writing workshop at the Vancouver Library the same afternoon:

Poetry for All
Thursday, September 10, 2015
2 – 4pm
Vancouver Community Library
Klickitat Room, Level 4

901 C St
Vancouver, WA 98660

Join Washington State Poet Laureate Elizabeth Austen for a free, hands-on poetry workshop designed to engage participants’ imaginations, life histories and sense of empathy through language. The class includes close reading of a few contemporary poems, then using one as a model for writing our own first draft. No previous writing experience needed.

Library events and programs are free and although everyone is welcome, space is limited. Preregistration is required and closes Sept 9 at 5pm. Maximum 25 participants.

Poetry for All Workshop

Ghost Town Poetry Open Mic Featuring Herb Stokes at Angst Gallery May 14, 2015

Ghost Town Flyer May 14 2015

GHOST TOWN POETRY OPEN MIC
Hosted by Christopher Luna and Toni Partington

7pm
Thursday, May 14
Angst Gallery
1015 Main Street
Vancouver, WA 98660
LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004

christopherjluna@gmail.com

Herb at GT December 11 2014 by Tiffany
Herb Stokes at Cover to Cover Books in December 2014 Photograph by Tiffany Burba-Schramm

Featuring Herb Stokes: Upon retirement from Swissair New York, Herb Stokes and his artist wife, Marianne, moved to the Intracoastal Waterway in North Carolina. They did the boat and beach scene for several years but after a wonderful summer trip to Portland decided the Northwest would be their home. He took an ongoing creative writing course at Clark College and hasn’t stopped writing since.

From “SALAD FOR TWO”
By Herb Stokes

We sat at a too small table
on a sun washed terrace
overlooking the Mediterranean
drinking wine from pewter goblets.

A blue haze was in the air
and in your eyes.

Ghost Town Poetry Open Mic at Angst Gallery celebrates National Poetry Month with a bilingual reading featuring Los Portenos founding member Cindy Williams Gutierrez Thursday, April 9

Ghost Town Flyer April 9 2015

Printed Matter Vancouver and Leah Jackson Present
GHOST TOWN POETRY OPEN MIC
Downtown in the Vancouver Arts District
Hosted by Christopher Luna and Toni Partington

7pm
April 9, 2015
Angst Gallery
1015 Main Street
Vancouver, WA 98660

With our Featured Reader Cindy Williams Gutierrez:

Cindy WIlliams Gutierrez poet

Cindy Williams Gutierrez

Photo by Russell J. Young

Selected by Poets and Writers Magazine as one of the top ten 2014 Debut Poets, poet-dramatist Cindy Williams Gutiérrez draws inspiration from the silent and silenced voices of history and herstory. Her poetry collection, the small claim of bones, was published by Arizona State University’s Bilingual Press. Poems and reviews have appeared in Borderlands, Calyx, Harvard’s Journal of Feminist Studies in Religion, the Universidad Nacional Autónoma de México’s Periódico de poesía, Portland Review, Quiddity, Rain Taxi, Rattle, and ZYZZYVA. Plays include Words That Burn, which premiered in Milagro’s 2014 La Luna Nueva festival to commemorate Hispanic Heritage Month and the William Stafford Centennial, and A Dialogue of Flower & Song featured in the 2012 GEMELA (Spanish and Latin American Women’s Studies) Conference co-sponsored by the University of Portland and Portland State University.

Cindy earned an MFA from the University of Southern Maine Stonecoast Program with concentrations in Mesoamerican poetics and creative collaboration. Cindy is a founding member of Los Porteños, Portland’s Latino writers’ collective, and the founder of Grupo de ’08, a Northwest collaborative-artists’ salon inspired by Lorca’s Generación de ’27.

Los Porteños is committed to making Latino and Latin American literature an integral part of the Portland community. We are dedicated to raising our voices and raising awareness of our diverse languages, canons, stories and cultures. We develop and nurture each unique voice into a collective of writers honoring this diverse heritage. Founded in 2006 with the steadfast support of Milagro Theatre, we have presented annual literary readings for Day of the Dead as well as participated in Milagro’s La Luna Nueva festival. In 2011, we began hosting a William Stafford Birthday Reading featuring original, multilingual poetry and prose written in response to Stafford poems.

2014 marked Los Porteños’ foray into community-building projects, including a Noche de Neruda reading at Literary Arts, a staged reading of Marrano Justice in collaboration with Congregation Ahavath Achim, and the production of Words That Burn in commemoration of Hispanic Heritage Month, the William Stafford Centennial, and the rescindment of Executive Order 9066. A dramatization of the World War II experiences of conscientious objector William Stafford, Japanese-American internee Lawson Inada, and Chicano Marine Guy Gabaldón, Words That Burn was supported by 20 community sponsors, including arts and humanities funders; Asian-American, Latino, and peace organizations; as well as universities and libraries. Recent collaborations featured Echoes Cabaret—in memory of “the disappeared”—with the Jewish Theatre Collaborative and Mujeres—in celebration of International Women’s Day—with Milagro.

Upcoming readings include Letters in Exile: William Stafford and Miguel Hernández at Literary Arts on Wednesday, May 13 at 7 pm.

If I Were a Nahua Poet

Make my body a cuicoyan, this house of song.
Garland my bones with those who have gone before, colli,
And the ones who have gone before them, colli. Return,
Return. Let the sweet wind be their breath on my shoulder,
Their tug on my tunic. Let my voice join the ancients
To swell the sky with a thousand plumes of light. Ehua!

And when the moon moves between sun and earth,
Let us remember to beat our deerskin drums and dance.
To pound our bare feet and chests until this holy earth
Splits in two, and volcanoes rise up in song. Only then
Will this life be worthy: to make the dark earth rumble,
And the heart fiercely tremble. Yolhuihuiyocaz, tremble.

By Cindy Williams Gutiérrez
From the small claim of bones, Bilingual Press, 2014.