LGBTQIA+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Sean Aaron Bowers is a Portland native. His first collection of poetry, We Were Warriors (University of Hell Press, 2012), was published under the pseudonym Johnny No Bueno. His upcoming book, Concrete & Juniper is due to be released by University of Hell in late 2017 to mid 2018. His work has appeared in Criminal Class Review, Present Tense, and Nailed Magazine. You can find out more about him at seanaaronbowers.com once he gets it up and running again.
Ghost Town Poetry Open Mic co-hosts Toni Partington and Christopher Luna at Angst Gallery in July 2017. Photo by Aaron Scott. Art by Cynthia Heise.
Printed Matter Vancouver would like to thank producer Aaron Scott, intern Elayna Yussen, and everyone at OPB Radio’s State of Wonder for featuring the Ghost Town Poetry Open Mic community on their program. I founded the reading series in 2004, and Toni Partington, my wife and co-host, came on board in 2007. It was a very moving experience to hear what the series has meant to Toni and series regulars April Bullard, Eileen Elliott, and Erin Iwata. I found myself in tears as my friends spoke about their personal journey, and how Ghost Town Poetry has contributed to both their personal growth and their development as writers. We hope that you will agree that Aaron and his crew perfectly captured what makes the reading series so unique.
Toni and I were also pleased to find that the producers acknowledged Angst Gallery’s role in the community as “de facto arts center.” Angst Gallery owner Leah Jackson has been one of the driving forces in the Vancouver Arts District for many years. Since 2005, she has provided me with a venue in which to present local and national poets, poetry & music collaborations, coaster poetry, and bilingual poetry readings. I would not have been named the first Poet Laureate of Clark County without her unfailing support. In fact, Leah Jackson was the first to acknowledge my service to the poetry community when she named me the poet laureate of her two businesses, Angst Gallery and Niche Wine Bar. This great honor allowed me to have two years of practice as her laureate (2011-2012) before being called upon by the Clark County Arts Commission to serve the poets of Clark County as their poet laureate.
The program also includes a wonderful interview with Erika Bartlett, a Vancouver artist whose solo show, “The Art of Healthy Spaces”, is on display at the gallery through July 29.
LGBTQIA+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
printedmattervancouver.com
Tongo Eisen-Martin
Tongo Eisen-Martin is the author of the critically acclaimed poetry book, someone’s dead already (Bootstrap Press, 2015), and his poetry has been featured in Harper’s Magazine. He is also a movement worker and educator whose work in Rikers Island was featured in the New York Times. He has been a faculty member at the Institute for Research in African-American Studies at Columbia University, and his curriculum on the extrajudicial killing of Black people, “We Charge Genocide Again!” has been used as an educational and organizing tool throughout the country. His next book, Heaven is All Goodbyes, will be the 61st Pocket Poets book published by City Lights.
Derek Fenner is an artist, educator, and researcher living in Oakland, California. He completed a BFA in painting and photography from the University of Cincinnati and an MFA in writing and poetics from Naropa University. After a decade of experience as an art educator in the juvenile justice system, he is completing a Doctorate in education at Mills College. His research interests include youth justice, youth participatory action research, decolonizing methodologies, and art-centered learning. He co-founded Bootstrap Press in 2000, which has published over 40 books. His latest book of poems is Hermeticities & Others, published in 2016.
LGBTQIA+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Rob Katsuno has been employed as a Boeing jet design engineer, a Mitsubishi Joint Venture Broker, a Morgan Stanley Investment Banker in NY and Tokyo. He holds an MBA from UCLA and currently works as a Ameriprise Financial Advisor. In 2011 he received third place in the Willamette Writers Kay Snow Writing Contest. He is also a talented performer who has appeared at BackfencePDX and United Solo, America’s largest solo performance festival in Theatre Row, NY. For more information about rob, visit robkatsuno.com
Dan Raphael performs at the Ford Building in Portland Photo by Robert Sanders
Everyone in This Movie Gets Paid, dan raphael’s 19th book, came out last June. Some of his newer poems appear in Caliban, Curly Mind, The Poeming Pigeon, In Between Hangovers and Otoliths. Every Wednesday he writes and records a news poem, as well as writing stories for the news anchors on KBOO Radio. He hosts Fo Po Poetry, a monthly reading series in Portland, and is the prose editor forUnlikely Stories, an e-zine based in New Orleans.
LGBTQIA+ FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
A 2016 Jack Straw Fellow, Artist Trust Fellow, and nominee for a Stranger Genius Award, Robert Lashley has had poems published in Feminete, Seattle Review Of Books, NAILED, GRAMMA, and The Cascadia Review. His first full-length book, The Homeboy Songs, was published by Small Doggies press in April 2014. His new book, Up South, was published in March of this year.
From Paul Constant’s Review of Up South in The Seattle Review of Books: “Lashley demands your attention. His performance style is part fire-and-brimstone preacher, part aggrieved literary nerd, and part Captain America. You can’t help but be moved, to want to follow him wherever he leads. And it’s easy to get swept up in that voice, to forget the poet behind it, to lose sight of the fact that those words have a writer, and that writer is, in fact, very good at what he does. Lashley’s second book of poems, Up South, is a reminder that Lashley is a writer of poems, and more than just that voice. Even more than in his first collection, The Homeboy Songs, Lashley is showing us what he knows. Up South is a collection with roots deep inside the tradition of poetry. Lashley evokes mythology and Biblical stories and classic poets here — not in a showy way, but rather because he understands that no poet writes in a vacuum, that every poet is in conversation with every single poet who came before.” http://www.seattlereviewofbooks.com/reviews/finding-his-voice/
Excerpt from Drake’s Progress
(Or why I can’t feel for my fallen wanna be gangsta cousin)
What is a king to a god of caught weight?
What is a god to a man-boy defrocked
in a paradise he imagined but never saw?
In a Byzantium of bright shiny grain leaden picnics
LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Featuring Sam Roxas-Chua
Sam Roxas-Chua is a poet and visual artist from Eugene, Oregon. His poetry has been described as “tidal,” and he has been called “a man who can take any kind of physical material and transform them into art.” According to poet Dorianne Laux, “Like Jack Gilbert before him, Roxas-Chua reaches beyond the imagery and emotions we expect—creating his own universe, logic, and definitions of the beautiful.” His first book, Fawn Language, was published by Tebot Bach in 2013 and his current manuscript, Saying Your Name Three Times Underwater, is forthcoming from Lithic Press. His poems have appeared in various journals including Narrative, december Magazine, and Cream City Review. His collection of poems, Diary of Collected Summers, won the first place award in the 7th Annual Missouri Review Audio Competition in poetry. Most recently he appeared in a live broadcast of Dear Sugar Radio at the Aladdin Theater in support of #writersresist. He is the owner of The Poetry Loft, a small business dedicated to community writing workshops. He holds an MFA from Pacific University.
Angst Gallery showcases cultural events including art shows, musical performances, book launch parties, classes, workshops, and the monthly Ghost Town Poetry Open Mic. All art forms are valued. More than just a place to show art, Angst Gallery is also a safe space for community discussion, where all people are respected for who they are. We donate the use of the space to organizations that work for human rights and progressive social change such as Planned Parenthood, the YMCA/YWCA, Cascade AIDS Project, and the NAACP.
LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004
Featuring Laura LeHew and R.R. Seitz
Laura LeHew’s collections include Becoming (Another New Calligraphy), Willingly Would I Burn, (MoonPath Press), It’s Always Night, It Always Rains, (Winterhawk Press) and Beauty (Tiger’s Eye Press). Laura received her MFA from CCA. She edits a small press called Uttered Chaos. Laura always thought she’d be an astronaut. For more information, visit http://www.lauralehew.com/.
R.R. Seitz writes from the place of decisions made by an eighteen-year-old that carry forward, day-by-day, to the present. His 2006 book Right Here Right Now is in its third printing and made its way to odd places outside the U.S., including Southeast Asia. He has been featured around at various readings throughout the Northwest for 15 years. And yes, it is true, he has no letters behind his name.
Symposium by Laura LeHew
He brings me poison
words tormented love separation
a withered bouquet woven
with absinth wormwood
abandonment boredom regret
starry anemones delicate asphodels prickly
burdock the seeming happy amethyst and canary carnations
screaming antipathy and disdain
an untranslatable orange lily
whispering hatred against a pale vase
vain dream-like clusters of hydrangeas
jealous lemon hyacinths lost
in the sorrow of their vivid violet sisters
and
a forsaken single blood red tulip—the perfect suitor
[IMPORTANT NOTE: Due to icy conditions, this month’s Ghost Town Poetry Open Mic has been postponed until January 19. Please help us share this news, and stay safe.]
Jen Coleman is the author of Psalms for Dogs and Sorcerers from Trembling Pillow Press, winner of the 2013 Bob Kaufman Book Prize selected by poet Dara Wier, and We Denizens from Furniture Press in 2016. Originally from Minnesota, Jen received her BA from Beloit College and MFA from George Mason University in Virginia. She spent eight years in New York, where she co-edited the journal POM2. She now lives in Portland, OR. Coleman’s set will include one poem accompanied by drummer and songwriter Cat Minor.
Let’s Be Tarsiers by Jen Coleman
It’s too cruel to be a bloody human.
Let’s be a boom-slang, viper or hippo.
Let’s be tarsiers born with fur and eyeballs
big as our brains. Let’s have the long, long feet.
Let me call you tarsier like the long long
bones in your feet. Let me be a tarsier
and balance eye with eye and stay silent.
Take your third tarsier finger and touch my
third finger as long as your upper arm.
Touch your two tarsier toes to my two toes.
Eat bugs and lizards and know me, tarsier
As I know you, tarsier, feasting on bats.
Be awake in the night with me, tarsier,
and leap, and be quite quiet and quite shy.
Mike G: I’ve been writing for my sanity for quite some time now. It’s the most fun, and the most serious thing I do. For me, performing is the public celebration of this sanity. Now and then I’ve read my poems on KBOO radio. Now and then my poems get published. To say it another way: I oozed from the womb in Michigan with hardly more life than a manikin, then the Muse infused me with madness, inspired my wordplay of rage and sadness, or sometimes funny, so it’s said; I’ll clown and rant until i’m dead.
Mike G reads at Ghost Town Poetry Open Mic (photo by Tiffany Burba)
After the plague of boils Job scalded his secret patience formula upon my soul. That’s me lounging on the rotting log spitting a protest melody into the unwashed harmonica. The cold sun is a kind of food. I watch the leaves eat. Eyes fierce and blue in the whiteout blizzard. That’s me, the keeper of memory, not buried yet, heart still beating.
LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004 angstgallery.com
Featuring Naomi Fast, author of
Portland Light: Post-Industrial City Poems and Photography
Naomi Fast is an American poet, artist, and photographer who grew up in California, Brussels, and Zaire (now known as the Democratic Republic of Congo). Ms. Fast earned her MA in Writing from Portland State University, where she won an Academy of American Poets Prize and the Shelley Reece Award. Her poetry has been published around the U.S. in various journals and anthologies includingEmpty Shoes and VoiceCatcher, a journal featuring women authors and artists of the Pacific Northwest. In addition, her poem “Kajiji Fires” was nominated for a Pushcart Prize. The poems and photographs in Fast’sPortland Light: Post-Industrial City Poems & Photography, provide a glimpse into the Rose City’s evolution over a ten-year period.
Fantasy by Naomi Fast
According to Naomi, “I consider my Portland Light poems to be ‘light’ in language, length, mood and tone—they are, if you will, ‘language snapshots.’ My hope is that they also reveal bits of a city that aren’t readily seen unless we shine a light on them.”
Awning of Stars by Naomi Fast
Eclipse
by Naomi Fast
We photograph the bronze moon
in increments.
Planets collaborate
enlightening our address
with sun and moon’s embrace.
We’ve lived rivers and oceans of years
but it only takes one
cloudless September night
to eclipse them all,
to reveal with a flash
this naked moment
of our sameness.
GHOST TOWN POETRY OPEN MIC Hosted by Christopher Luna and Toni Lumbrazo Luna
7 pm Thursday, March 10 Angst Gallery 1015 Main Street Vancouver, WA 98660
Food and libation provided by Niche Wine Bar, 1013 Main Street
LGBTQ-FRIENDLY, ALL AGES, AND UNCENSORED SINCE 2004 printedmattervancouver.com angstgallery.com
Featuring Joseph Green: Joseph Green’s most recent collection of poems is What Water Does at a Time Like This (MoonPath Press 2015), following That Thread Still Connecting Us (MoonPath 2012), The End of Forgiveness (Floating Bridge, 2001), Greatest Hits: 1975—2000 (Pudding House, 2001), Deluxe Motel (Signpost Press, 1991), and His Inadequate Vocabulary (Signpost, 1986). Through the Peasandcues Press, Green and his wife, Marquita, produce limited-edition, letterpress-printed poetry broadsides using hand-set metal type; and at the C.C. Stern Type Foundry & Museum of Metal Typography, in Portland, he works to preserve the craft of casting the type itself.
What You Can Say to Me When I’m Dead
by Joseph Green
I won’t want to talk about the war,
so don’t start. I won’t say anything at all
about politics. I’ve already had it
up to here with gossip.
And God is no good, either,
as a conversational topic. I’ll be finished,
too, with gnawing on the dry bones
of art, of accomplishment.
You can put them into your own
soup if you feel like it. I’ll be lying
down for a while. Just fill me in
on what you’ve been up to.
Please join us on March 10 for Ghost Town Poetry Open Mic featuring Joseph Green, poet, letterpress printer, and author of What Water Does at a Time Like This.
PRINTED MATTER VANCOUVER 